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Michael Mahaffey's avatar

When it comes to learning repertoire, at what point do you feel like a tune is internalized and ready to add to your pool of songs?

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Rob Ewing's avatar

Nice post! Can we talk about the metronome? Definitely a wedge issue in jazz practice! I would just add that it can be really helpful to practice without a metronome too. Specifically, when working on improvising over tunes, I find it very useful to practice rubato (out of time). Play one chord, play/sing something over it and then take time to think about/hear how to connect to the next chord. If you jump straight to practicing with a metronome, there isn't time to make these kinds of discoveries. Playing out of time before playing in time can make playing in time a deeper experience.

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